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Shop › Bunker Hill Los Angeles: Essence of Sunshine & Noir

Bunker Hill Los Angeles: Essence of Sunshine & Noir

$40.00

Bunker Hill is the highest point of downtown Los Angeles, both literally and figuratively. Its circle of life has created a continuous saga of change, each chapter rich with captivating characters, structures, and culture. In Bunker Hill Los Angeles: Essence of Sunshine and Noir, historian Nathan Marsak tells the story of the Hill, from the district’s inception in the mid-19th century to its present day. Once home to wealthy Angelenos living in LA’s “first suburb,” then the epicenter of the city’s shifting demographics and the shadow and vice of an urban underbelly, Bunker Hill survived its attempted erasure and burgeoned as a hub of arts, politics, business, and tourism.

Hardcover 176pgs Architecture/Buildings

Nathan Marsak studied under the eminent historian of Los Angeles, Reyner Banham, at University of California, Santa Cruz, and completed his graduate work with noted Sullivan/Wright scholar Narciso Menocal at University of Wisconsin, Madison. He worked on the curatorial staff

Bunker Hill is the highest point of downtown Los Angeles, both literally and figuratively. Its circle of life has created a continuous saga of change, each chapter rich with captivating characters, structures, and culture. In Bunker Hill Los Angeles: Essence of Sunshine and Noir, historian Nathan Marsak tells the story of the Hill, from the district’s inception in the mid-19th century to its present day. Once home to wealthy Angelenos living in LA’s “first suburb,” then the epicenter of the city’s shifting demographics and the shadow and vice of an urban underbelly, Bunker Hill survived its attempted erasure and burgeoned as a hub of arts, politics, business, and tourism.

Hardcover 176pgs Architecture/Buildings

Nathan Marsak studied under the eminent historian of Los Angeles, Reyner Banham, at University of California, Santa Cruz, and completed his graduate work with noted Sullivan/Wright scholar Narciso Menocal at University of Wisconsin, Madison. He worked on the curatorial staff

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